Originally, the Korean exile government (1919–1945) in Shanghai, China adopted as their national anthem " Aegukga" (which has the same name with a different Romanization) to the tune of " Auld Lang Syne".
In general shorthand, the term aegukka refers to the national anthem of North Korea. However, the nationally designated "Aegukka" plays the role of symbolizing the country. 'country song') is an official symbol of the state, aegukka refers to any song, official or unofficial, that contains patriotic fervor towards its country, such as Hungary's " Szózat" or the U.S. "Aegukka" in itself is differentiated from a national anthem. The Encyclopedia of Korean Culture defines "Aegukka" as "the song to wake up the mind to love the country".
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This journal follows ISO 9001 management standard and licensed under a Creative Commons Attribution 3.0 License."Aegukka" is a Romanized transliteration of "The Patriotic Song" the song is also known by its incipit Ach'imŭn pinnara or "Let Morning Shine" or in its Korean name 아침은 빛나라 or alternatively as the " Song of a Devotion to a Country".
Please add our address into your email contact list. Please contact the administrator of this platform. Keywords: Creative Economy, Creativity, Ikat Weaving, Jaranan, Takwa Tofu Meanwhile, the fulfillment of the BEKRAF version is the existence of a quadruple helix, support for the five stages of creative economy development and the existence of leverage, facilitation, empowerment and mentoring. Fulfillment of the UNESCO version includes history, cultural and economic development, exhibition and cultural support, entry into the curriculum and extra-curricular of Vocational High Schools and facilitation of exhibition spaces. Weaving Ikat, Jaranan and Takwa tofu give a chance to made Kediri City a Creative City because they meet the requirements of both the UNESCO and BEKRAF versions. The creativity of making Ikat weaving, Jaranan and takwa tofu is the result of combination of skills, culture and the environment accompanied by science that meets the requirements John Howkins' definition version of creative economy.
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This study uses a qualitative approach with qualitative descriptive methods (exploration), the research instrument uses were human instruments, how to get informants was by using snowballing sampling and key informants, data collection techniques used was triangulation and data analysis techniques used was analysis of cultural themes.The results shows that 16 sub-sectors of the creative economy of Kediri City are available, it is feasible to propose three following creative economy: crafts (weaving), arts (Jaranan) and culinary (Takwa Tofu). The purpose of this research is to explore the potential of the creative economy of Kediri to match the standard of a Creative City, both the UNESCO version and the BEKRAF version (KEMENPAREKRAF). BEKRAF (KEMENPAREKRAF) in 2019 had chosen Creative City in Indonesia but Kediri City was not included in it. Unesco has chosen the world's Creative City where there are three followings cities in Indonesia: Pekalongan (2014), Bandung (2015) and Ambon (2019).
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